|
EDUCATION
| 1981 |
Master of
Fine Arts, University of California, Los Angeles |
| 1977-78 |
Graduate
Study, California State University, Fullerton
|
| 1972 |
Bachelor
of Arts, University of Manitoba, Winnipeg, Canada
|
AWARDS
| 1996 |
Artist
Fellowship, Pollock-Krasner Foundation, New York |
| 1996 |
Individual
Artist Grant, Cultural Affairs Department, City of Los Angeles |
| 1990 |
California
Arts Council Artists Fellowship (Sculpture)
|
| 1986 |
Special
Merit Award, "All California On A Small Scale,"
Howard Fox, Juror
|
| 1984-85 |
National
Endowment for the Arts Fellowship (Sculpture)
|
| 1981 |
Canada
Council Project Grant
|
| 1977-80 |
Senior
Tuition Scholarship, British Columbia Cultural Fund
|
PUBLIC
APPOINTMENTS
| 2004-06 |
Chair,
Santa Monica Arts Commission |
| 2000-04 |
Commissioner,
Arts Commission, City of Santa Monica, California |
| 2000-04 |
Chair,
Public Art Committee, City of Santa Monica |
PUBLIC
ART COMMISSIONS
| 1995-97 |
Hollywood
Fences Project, MTA A-R-T Program |
| 1994 |
Montebello/Commerce
Metrolink Station |
| 1993 |
Hope
Street Promenade Intersection Design Competition |
EMPLOYMENT
| 2002-06 |
Adjunct
Faculty, Art Department, University of Southern California |
| 2003 |
Visiting
Artist, University of Colorado, Boulder |
| 1996-06 |
Lecturer,
Art Department, University of California, Los Angeles |
| 1989-06 |
Lecturer,
Art Department, Loyola Marymount University, Los Angeles
|
| 1996-98 |
Producer
and host, "LOOK/ hear", KXLU 88.9 FM, Los Angeles |
| 1998 |
Lecturer,
Art Department, California State University, Fullerton
|
| 1992 |
Instructor,
Art Department, Glendale College, Glendale, California |
| 1990 |
Visiting
Artist, Claremont Graduate School, Claremont, California |
| 1982-83 |
Full-time
Instructor, Emily Carr College of Art, Vancouver, British Columbia
|
SOLO
EXHIBITIONS
| 2003 |
"Amelia
and the Spinning Heads", Susanne Vielmetter Los Angeles Projects |
| 1998 |
"Ceci
n'est pas sa maison", Lemon Sky: A Project Space, Los Angeles |
| 1996 |
"Biota",
LASCA Gallery, Los Angeles |
| 1995 |
"Maria
Theresa", Art Gallery, Rio Hondo College, Whittier, California |
| 1994 |
"The
Turkish Bath", Jan Baum Gallery, Los Angeles |
| 1994 |
Todd
Madigan Gallery, California State University, Bakersfield |
| 1993 |
Jan
Baum Gallery, Los Angeles |
| 1991 |
Art
Gallery, Pierce College, Woodland Hills, California |
| 1990 |
Jan
Baum Gallery, Los Angeles
|
| 1989 |
Stephen
Rosenberg Gallery, New York, New York |
| 1988 |
Fine
Arts Gallery, Long Beach City College, Long Beach, California |
| |
Jan
Baum Gallery, Los Angeles, California |
| 1987 |
Mendenhall
Gallery, Whittier College, Whittier, California |
| 1986 |
Natalie
Bush Gallery, San Diego, California |
| 1983 |
Turnbull,
Lutjeans, Kogan Gallery, Costa Mesa, California |
| |
Charles
Scott Gallery, Emily Carr College of Art, Vancouver, British Columbia |
| 1982 |
Artspace,
Los Angeles |
| 1981 |
Students
Union Gallery, University of Alberta, Edmonton |
SELECTED
GROUP EXHIBITIONS
| 2006 |
“Fiction@Love”,
MOCA, Shanghai, Shanghai, China |
| 2005 |
“ButtonsUp:
LA”, curated by Nadfly, Glascow, Scotland, http://www.nadfly.com/buttonsupla.php
|
| |
“Nouvelle
Nuptials”, San Francisco Museum of Craft and Design, San Francisco,
CA |
| |
“Adjunct”,
Lindhurst Gallery, University of Southern California, Los Angeles,
CA |
| 2004 |
“Crazy
Thoughts Have Quick Wings”, Cirrus Gallery, Los Angeles |
| |
“Take
This Bread”, Gallery C, Los Angeles |
| 2003 |
“Tinseltown”,
Domestic Setting, Los Angeles, CA |
| |
“Blue",
Mesa College Art Gallery, San Diego Mesa College, CA |
| |
“Sequel",
Domestic Setting, Los Angeles, CA |
| |
"Pillars".
Laband Art Gallery, Loyola Marymount University, Los Angeles |
| |
"Re-Inventing
Pleasure: Ornamentation in Contemporary Ceramic Art", San Diego
State University, CA (catalogue) |
| 2001 |
"Cross
Pollination", Los Angeles Arboretum, Arcadia, CA |
| |
"I
Love NY", Franklin Parrasch Gallery, New York, NY |
| |
“Between
Representation: L.A.’s Greatest Unsigned Artists” INMO
Gallery, Los Angeles, CA |
| |
"Color
and Fire: Defining Moments in Studio Ceramics, 1950-2000",
Tucson Museum of Art, Tucson, Arizona |
| |
“Cross
Pollination”, Holland Tunnel, New York, NY |
| 2000 |
"Five Fresh Voices", Franklin Parrasch Gallery, New York,
NY |
| |
"Fahrenheit
2000", Fine Arts Gallery, Cypress College, Cypress, (catalogue) |
| |
"Made
In California: Art, Image and Identity", Los Angeles County Museum
of Art, Los Angeles, CA (catalogue) |
| |
"Elegant
Whimsy: Low Tech/ High Art", Joslyn Fine Arts Gallery, Torrance,
CA |
| |
"12
Divas: Selected Southern California Artists as Mentors and Heroes",
Molly Barnes Gallery, Santa Monica, CA |
| |
"Color
and Fire: Defining Moments in Studio Ceramics, 1950-2000",
Los Angeles County Museum of Art, Los Angeles (catalogue) |
| |
"CremolataFlottage"
(curated by Sue Spaid) Staten Island Ferry, New York, NY |
| 1999 |
"California
Craft", (invitational), Laguna Museum of Art, Laguna Beach,
CA |
| |
"Studio
Faculty", Laband Art Gallery, Loyola Marymount University,
Los Angeles |
| |
"Dalla
Terra: From the Earth", Palazzo dei Consoli, Gubbio, Italy
(catalogue) |
| |
"Sig-Alert
2", Central Art Gallery, California State University, Fullerton |
| 1999 |
"Erotica
in Ceramic Art: Sexual, Sensual, Suggestive", Ferrin Gallery,
Massachusetts |
| |
"Sig-Alert",
ASU Art Museum, Arizona State University, Tempe (catalogue) |
| |
"Dalla
Terra: From The Earth", Brewery Project, Los Angeles |
| 1998 |
"Shoppost.com",
Post Gallery, Los Angeles |
| |
"Ways
and Means", Miller Durazo, Los Angeles |
| |
"The
Compestible Compost", Pavilions Market, West Hollywood, California |
| |
Charles
Scott Gallery, Emily Carr College of Art, Vancouver, British Columbia |
| |
"From
Head To Toe: Concepts of the Body in 20th Century Art", Los
Angeles County Museum of Art |
| |
"54th
Annual Scripp's Invitational", Ruth Chandler Williamson Gallery,
Scripps College, Claremont, California |
| 1997 |
"My
Favorite Femmes", Jan Baum Gallery, Los Angeles |
| |
"West
Coast Painting and Sculpture 97", Oceanside Museum of Art,
Oceanside, California (catalogue) |
| |
"On
paper", Post Gallery, Los Angeles |
| |
"COLA:
1996-97 Individual Artists Grants", Municipal Art Gallery,
Barnsdall Park, Los Angeles (catalogue) |
| |
"In
Response", Marc Arranaga Contemporary Art, Los Angeles |
| |
"Material:
Kim Cridler & Phyllis Green", East Gallery, The Claremont
Graduate School/Art, Claremont, California |
| 1996 |
"Vessels",
Armory Center for the Arts, Pasadena, California |
| |
"California
Focus: Selections from the Collection of the Long Beach Museum of
Art", Long Beach Museum of Art, California |
| |
"100
Dollar Show", Post Gallery, Los Angeles |
| |
"The
Puzzle", Downey Museum of Art, Downey, California |
| |
"Thought
Works @ L.A.", Art Center of Battle Creek, Battle Creek, Michigan |
| |
"Sexy
: Sensual Abstraction in California 1950-1990", Armory Center
for the Arts, Pasadena, California (catalogue) |
| |
"Strappy
Sandals and Skinny Belts: The Hyperfeminine Position in Painting",
curated by Sue Spaid, Murray Feldman Gallery, Pacific Design Center,
Los Angeles |
| 1995 |
The
Lotus Motel Show, The Lotus Motel, Los Angeles |
| |
"Strappy
Sandals and Skinny Belts: The Hyperfeminine Position in Painting",
Victoria Room and Push! Gallery, San Francisco, California |
| |
"L.A.
Current", Armand Hammer Museum and Cultural Center, Los Angeles |
| |
"Del
Guacal al Vaso", Museo de Arte y Diseno Contemporaneo, San
Jose, Costa Rica |
| |
"Defining
a Movement: Feminist Visions in Clay”, Jose Drudis-Biada Gallery,
Mount St. Mary's College, Los Angeles |
| |
"Thought
Works @ L.A.", Laband Art Gallery, Loyola Marymount University,
Los Angeles (catalogue) |
| |
"New
Visions: Los Angeles Art in the 90's”, Armand Hammer Museum
and Cultural Center, Los Angeles |
| |
"Sexy”,
Contemporary Artists Collective, Las Vegas, Nevada |
| |
"Felicity”,
curated by Phyllis Green, Jan Baum Gallery, Los Angeles |
| |
"Artists
and Dining”, Laguna Museum of Art, Laguna Beach, California |
| |
"Red
and White", curated by Tressa Miller, Epicure, Santa Monica,
California |
| |
"Language
of Form”, Channing Peake Gallery, Santa Barbara, California |
| 1994 |
"Doug
Hammett’s 2nd Annual Christmas Tree Show”, TRI Gallery,
Los Angeles |
| |
"New
Shoes”, The Art Store, Los Angeles |
| |
"Artists’
Cups”, Space Gallery, Los Angeles |
| |
"The
Sacred and the Profane," Jan Baum Gallery, Los Angeles |
| |
"Women
Sculptors: Working Proposals," Todd Madigan Gallery, CSU, Bakersfield |
| |
"Artist
As Visionary," Gallery IV, Los Angeles |
| 1993 |
"The
Layered Look," organized by Sue Spaid, Jan Baum Gallery, Los
Angeles |
| |
"Sum:
Art," The Art Store, Los Angeles |
| |
"UCLA:
Onramps, Offramps, Exchange, Diversity," San Diego State University,
San Diego |
| 1992 |
"Obliquities;
Los Angeles," Laband Art Gallery, Loyola Marymount University,
Los Angeles (catalogue) |
| |
"Summer
92," Jan Baum Gallery, Los Angeles |
| 1991 |
"An
Opening and A Closing," Artspace Gallery, Los Angeles |
| |
"Sculpture
Innuendos," Security Pacific Gallery, Costa Mesa, California |
| |
"L.A.
Artists #1," Gallery IV, Los Angeles |
| |
"Maquettes
by California Artists," Sharon Truax Fine Art, Venice, California |
| |
"Vessels,"
Art Store Gallery, San Francisco |
| |
"Light
and Space: Phyllis Green and Beth Thielen," Art Works Gallery,
Riverside, California |
| 1990 |
"New
Work: New York", Helander Gallery, Palm Beach, Florida |
| |
"Southwest
90," Museum of Fine Arts, Santa Fe, New Mexico (catalogue) |
| |
"Small
Sculpture," Robischon Gallery, Denver, Colorado |
| |
"Barbara
Benish, Suvan Geer, Phyllis Green, John Millei," East Gallery,
Claremont Graduate School, Claremont, California |
| |
"Heal
the Bay Surfboard Art Invitational," James Corcoran Gallery,
Santa Monica |
| |
"Framing
the Magic Circle," Gallery at the Plaza, Security Pacific Bank,
Los Angeles |
| |
"Disconnected
Choices," Jose' Drudis-Biada Gallery, Mount St. Mary's College,
Los Angeles |
| 1989 |
"Small
Sculpture," Robischon Gallery, Denver, Colorado |
| |
"Incest,"
American Gallery, Los Angeles |
| |
"The
Art Works-Plus," The Art Works Gallery, Riverside, California |
| |
"Art
and Soul," Pence Gallery, Santa Monica, California |
| |
"California
Surrealist Sculpture," Bronx River Gallery, The Bronx, New York |
| 1988 |
"East
Side-West Side: Artists from Two Coasts," Helander Gallery, Palm
Beach, Florida |
| |
"Masks,"
Artspace Gallery, Los Angeles |
| |
"L'Art
Compris/ Art in Jeopardy: An Exhibition of Previously Censored Works",
Galerie Articule, Montreal, Quebec (catalogue) |
| |
"Summer
88," Jan Baum Gallery, Los Angeles |
| |
"By
Her Own Hand," Hillel Foundation, University of Southern California,
Los Angeles |
| 1987 |
"Newcomers
'87," Los Angeles Municipal Art Gallery, Barnsdall Park |
| |
"Gallery
Artists and Others," Natalie Bush Gallery, San Diego |
| |
Group
Show, Cantor Lemberg Gallery, Birmingham, Michigan |
| |
"Showcase
'87," California State Polytechnic University, Pomona |
| 1986 |
"Gallery
Gala," Jan Baum Gallery, Los Angeles |
| |
"Three
New Talents: Caper, DeBuck, Green," Jan Baum Gallery, Los Angeles |
| |
"Wall
Forms," Saxon Lee Gallery, Los Angeles, California |
| |
"Landscape/Elements,"
Jan Baum Gallery, Los Angeles, California |
| |
"All
California On A Small Scale," Laguna Museum of Art, California
(catalogue) |
| |
"State
of the Art," Art Rental Gallery, Los Angeles County Museum of
Art, California |
| |
"Small
Liberties: 25 Los Angeles Artists," SOHO 20 Gallery, New York,
New York |
| 1985 |
"The
Missing Project: What's Missing In The Eighties; Ten Artists Respond,"
SPARC Gallery, Venice, California |
| |
"Bridal
Show," LACE, Los Angeles, California |
| 1984 |
"Artists
Call," Southern California Library for Social Research, Los Angeles,
CA |
| |
"Art
In Clay; Thirty Years of Ceramic Art In Southern California,"
Los Angeles Municipal Art Gallery, Barnsdall Park (Catalogue) |
| |
"A
Broad Spectrum: Contemporary Los Angeles Painters and Sculptors '84,"
Design Center, Los Angeles |
| |
"California
Clay," Santa Ana College Art Gallery, California |
| 1982 |
"A
Clay Preface: New Constructions and Architectural Works by Kris Cox,
Phyllis Green, and Kazuko Matthews," University Art Gallery,
California State University, Dominguez Hills (Catalogue) |
| |
"Extensions," Art Gallery, California State University,
San Diego |
| |
"Westwood
Clay National," Downey Museum of Art, Downey, California |
| 1981 |
"Phyllis
Green/Nick Vaughn, California Contemporary Series V," Laguna
Museum of Art, California (catalogue) |
| |
"37th
Annual Scripps Ceramic Invitational," Lang Art Gallery, Scripps
College, Claremont, California (catalogue) |
| 1980 |
"Tough:
Southern California Women's Caucus for Art Juried Exhibition"
Art Gallery, California State University, Northridge (catalogue) |
| |
"Exotic
Objects," Art Gallery, Saddleback Community College, Mission
Viejo, CA |
SELECTED
REVIEWS
| |
Wood,
Eve, “Phyllis Green Susanne Vielmetter Los Angeles Projects,
Bridge Magazine http://bridgemagazine.org/7-03art/green.html |
| |
Newhouse,Kristina,"Sequel"atDomesticSetting,artnet.com,
http://www.artnet.com/magazine/reviews/newhouse/newhouse4-17-03.asp
|
| |
Roth,
Charlene, "Narrative, Humor, and Craft ", Sculpture Magazine,
Vol. 20, No. 9, November 2001, pp. 40-45. |
| |
Wood,
Eve, "Between Representation: LA's Greatest Unsigned Artists
at INMO Gallery, Artweek, September 2001, pp. 23-24. |
| |
Harvey,
Doug, "Gender, Race", LA Weekly, Auguest 4-10, 2000, p.47. |
| |
Ollman,
Leah, "Art Reviews: Image Leaders", Los Angeles Times, July
21, 2000, p. F21. |
| |
Peterson,
Susan, Contemporary Ceramics, Watson-Guptill Publications: New York,
2000, p.19. |
| |
Selz,
Peter, "The Figurative Impulse in Contemporary Ceramics",
in Lauria, Jo, ed., |
| |
Color
and Fire: Defining Moments in Studio Ceramics 1950-2000, Rizzoli:
New York, 2000, pp.187-189. |
| |
Spaid,
Sue, "L.A. Undercover: A Profile of the Alternative Projects",
Art Papers, March/ April 1998, Volume 22, Issue 2, pp.14-17. |
| |
Wilson,
William, "'Head to Toe' Mixes Education, Fun", Los Angeles
Times, February 28, 1998, p. F12. |
| |
Knight,
Christopher, "A COLA That Refreshes", Los Angeles Times,
May 27, 1997, p. F1. |
| |
"Vance
Fever", People Magazine, January 27, 1997, pp. 96-97. (reproduction) |
| |
Kapitanoff,
Nancy, "Feminist Visions in Clay", Ceramics: Art and Perception
International, No. 25 1996, pp. 48-52. |
| |
Greenstein,
M.A., "Lotus Motel", World Art, #2, 1996, p.93. |
| |
Green,
Roger, "L.A. artists' work is inspirational", Kalamazoo
Gazette, February 18, 1996, p. E6 |
| |
Pagel,
David, "Hit-and-Miss Affair in 'Sexy' Show", Los Angeles
Times, Feb. 16, 1996, p. F24. |
| |
Reiter,
Artemesia, "Hyper Femmes Fatales at Victoria Room and Push!",
San Francisco Bay Times, November 2, 1995. |
| |
Bonetti,
David, "Gallery Watch", San Francisco Examiner, October
27, 1995. |
| |
Goglio,
Marcela, "Creative Cups: Designers make art out of daily essentials",
Costa Rica Today, July 27, 1995. |
| |
Crowder,
Joan, "A 'Language' in common", Santa Barbara News-Press,
April 14, 1995. |
| |
Kandel,
Susan, “It’s Hot and Steamy in Phyllis Green’s ‘Turkish
Bath’”, Los Angeles Times, November 17, 1994, p. F13. |
| |
Brown,
Betty Ann, "The Color Weal: A New American Art in Los Angeles,"
Visions Art Quarterly, Fall 1993, pp. 21-23. |
| |
Kandel,
Susan, "An Inspired Mess," Los Angeles Times, July 29, 1993,
F7. |
| |
Kathy
Zimmerer, "Phyllis Green at Pierce College Art Gallery,"
Visions Magazine, September, 1992. |
| |
Devorah
Knaff, "The Sculptor As Playwright," Artweek, December 5,
1991. |
| |
Judith
A. Hoffberg, "Phyllis Green and Beth Thielen," Artscene:
The Monthly Guide to Art in Southern California, May, 1991, P. 23,
also cover illustration. |
| |
Steve
Barilotti and Art Brewer, "Art Under Glass," Surfer Magazine,
February 1991, pp. 58-60. |
| |
Suzanne
Muchnic, exhibition review, Los Angeles Times, May 29, 1990, p. F4. |
| |
William
Zimmer, "'California Surrealism' in Bronx Show," New York
Times, Sunday,
February 5, 1989, p. 30. |
| |
Michael
Anderson, "Phyllis Green at Jan Baum," Art In America, January,
1989, pp. 158-159. |
| |
Michelle
Huneven, "The Art Artists Collect," California, December,
1988, pp. 88-93. |
| |
Dinah
Berland, "Inviting Pairing at LBCC," Long Beach Press Telegram,
Part F2,
December 4, 1988, p. 2. |
| |
Margaret
Lazzari, "A Deceptive Simplicity," Artweek, May 28, 1988,
p. 23. |
| |
Marlena
Donohue, exhibition review, Los Angeles Times, Part VI, May 20, 1988,
p. 13. |
| |
Leah
Goldman, "At The Galleries," Los Angeles Times (San Diego
Edition), July 31, 1987, p. 5. |
| |
Suzanne
Muchnic, "Newcomers: A Familiar Story," Los Angeles Times,
Part VI,
October 17, 1987, p. 5. |
| |
Susan
Freudenheim, "Downtown shows provocative," San Diego Tribune,
July 22, 1987, p. 14. |
| |
Kristine
McKenna, exhibition review, Los Angeles Times, Part VI, September
12, 1986, p. 8. |
| |
Robert
McDonald, At The Galleries, Los Angeles Times (San Diego Edition),
Part VI,
June 6, 1986, p. 10. |
| |
Chuck
Nicholson, "Compact and Controlled," Artweek, May 31, 1986,
p. 11. |
| |
"Artscan,"
Images and Issues, January/February, 1984, p. 84 (photo). |
| |
Mac
McLoud, "A Clay Preface", Images and Issues, March/April,
1983, p. 52. |
| |
Suzanne
Muchnic, "West Los Angeles" (exhibition review), Los Angeles
Times, Part IV, June 4, 1982, p. 14. |
| |
Suzanne
Muchnic, "Sacramento Art Exhibit In Laguna," Los Angeles
Times, Part VI,
March 22, 1982, p. 6. |
|